David Hurn
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 Vieux briscard Messages : 4810Depuis le 23 juil 2007 Normandie  |
Un grand formateur (en anglais)
http://www.photohistories.com/interviews/56/david-hurn Cartier-Bresson’s images of Russia had shown the humanity of the Russian people. Within two years of Bresson’s visit, the Soviet leaders had shown that common humanity and idealism had little to do with the realities of superpower politics and military might. Importante contribution à l'histoire du photojournalisme des années 60 et 70 notamment. Hurn’s realisation, which occurred in an office above the Rue de Fauborg Saint-Honoré in Paris, that photography was more about editing from a sequence than about just taking single independent shots, became a key element in a pioneering course that changed the direction of photographic education. “Bresson in a way is the most remarkable intellectually, because he undoubtedly understood what he was doing, and he projects his own very humanistic approach to the world. And was so consistent.” “The extraordinary thing about Bresson is that he did it in such a simple way. To all intents and purposes using one camera, one film, one lens. And he never developed his own film and he never printed his own prints. So he did everything that anybody else can do, but produced pictures that nobody else has ever been able to copy.” “I’m sure more people have tried to be Cartier-Bresson than any other photographer in history. Nobody can do it. And that’s one of the miracles of photography.” Utiliser Google Translate  |
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